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Sonokinetic Capriccio Crack v1.7.0: Bikes are our largest orchestral collection, in terms of physical size and sound, which it still is … BIG! We have conductor Petr Polanic near the confines of his Capellan orchestra for these recording sessions, and the resulting energy, drive, and power actually comes into each sample. Each phrase has been meticulously treated from conception through to production in the final instrument, to ensure that it will work as a whole, and be as comprehensive as possible.
We say it is big, and the sound is big, but as you can hear from the demo the sound has a wide variety of uses and is limited only by your own imagination. You can use you as a basis for your creation, or to complement your existing piece using only bits and pieces. It can be really loud and awe-inspiring, or can slowly set the mood.
If you are familiar with our previous orchestral instrument ‘Grosso’, then Raxico’s user interface should be quite familiar. The basic structure of the instrument is similar, each using 4 presets divided into 3 layers, but many innovations within Bikrico would make working with this library even more intuitive and flexible. Highlights include the ‘phrase offset’ slider, separate volume settings for release tales, and MIDI drag/drop from score view in the interface, directly in your DAW.
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With Kitkito we have brought a phrase-based sample bang. Throw away your earlier assumptions of tighter one-shot samples and use the power of the Kipricio interface to mix, aggregate, offset and mix each of the 38,000 samples. We misunderstand each bit of creativity and flexibility in these phrases and have created a Bespoke interface that will allow you to do so.
Despite advances in sampling techniques, you can’t just beat the realism of live played phrases and orchestral patterns, so our goal is to make it playable like a real instrument with minimal user programming. These tools are meant to encourage your creativity and based on the feedback we are getting, that is exactly what they do.
Please see our category of videos if you want to know more about the internal workings of Kifersio. Many ‘hidden’ features will greatly enhance your user experience if you know how to use them. For example, with Grosso we added ‘bar sync’, but for Nutriesso we also added ‘phrase offset’. These things are very complex in terms of under-the-hood programming, but we are sure that the intuitive interface makes it easy to realize the potential of such features.
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All the phrases of coercion are composed in 4/4, with straight 8th and 16th notes. We have also included a ‘run’ instrument with strings and a woodwind run, a grand and remarkably playable multisample percussion patch, and a melodic percussion instrument with xylophone, glaucasepial, tubular bells, and piano phrases. We, at Sonokinetic Capriccio Crack v1.7.0 BV, are so proud to introduce the missile to you and you cannot wait to hear the amazing things our valued customer base will produce with it. Sonokinatic has established a name as one of the best value and quality sample producers and with this product, we want to underline that statement. We stick to our unbeatable pricing modules and high-quality samples.
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The left side is the main interface for Bezalsico. This particular interface is for strings instruments, but each orchestra group has its own separate contact patches, each of which is color-coded: strings, woodwind, brass, percussion, and pitched percussion. All work in the same way.
Whichever instrument you choose, Kitchen has 4 users presets, each of which can be assigned to 3 different fields. The preset can be selected by clicking into the interface or with the keyword as shown below.
Each region has several options that can be activated/deactivated. Whatever the predetermined or area in use, they all have the same options, outlined below.
- Picking phrase
You do not have to stick to high, medium, and low standard configurations. It is possible to load more than one identical set. For example, you can load 3 sets of high strings and choose completely different patterns for each. The only limitation to this is that if you mimic a similar set and an example of pattern and variation duplication, the MOD wheel volume and motion controls will not work independently.
Click the VOLUME legend on the bottom left of the options interface to display the volume control (shown below with the Woodwinds instrument).
In each area, drag the white overlay line up and down to adjust the overall volume of that area.
- Strings (80)
- High 25
- Mid 31
- Less 24
- Woodwind (49)
- High 17
- Mid 19
- Less 13
- Brass (61)
- High 20
- Mid 19
- Low 22
- Pitched Collision (41)
- Iron 15
- Wood 11
- Piano 15
- Arkansas Prakashan (144)
- High 39
- Middle ४ ९
- Less 56
- Run (21)
- Wire 8
- Woodwinds 13
The numbers refer to the original phrase and run types, with a total of 396.
252 pitched phrases will play in all 12 keys.
- A large collection of tempo-sync’ed orchestral section phrases recorded in the spectacular sounding concert hall.
- Recorded from four mic positions.
- The phrases are varied, dynamic, and well-organized.
- An easy preview function facilitates a quick audition.
- Identifying phrases through a menu of graphic symbols can be misleading.
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